notjustOnetime
stuff and things of interest to some
notjustOnetime
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thekhoolhaus:

"Lions don’t lose sleep over the opinions of sheep."
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futurescope:

Aldous Huxley Vs George Orwell - Who was right?
Entertaining comparison by Stuart McMillen.
[read more]
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instagram:


The Whimsically Macabre Scenes of @__remmidemmi
To see more of Sandro’s explorations of “bodies with no regret,” follow @__remmidemmi on Instagram.
In his macabre, tragicomic photo series, Italian photographer Sandro Giordoan (@__remmidemmi) explores the willingness of people to put the safety of material objects before their own well-being.
When conceiving the project, _IN EXTREMIS (bodies with no regret), Sandro drew from personal experience. “Last summer I had a small but tough bicycle accident,” he explains. “I lost 30% of my right hand’s functions because I never let go of the object I was holding as I fell.”
When, shortly after, a friend broke his leg to prevent his smartphone from falling in water, Sandro became concerned. “We live in a time where we risk material things becoming more important than our own lives, and this is really worrying.”
Sandro channeled his concern into crafting meticulous and whimsical photos. “I immediately felt the urgency to capture the moment of impact. I wanted to talk about obsessions, neurosis and frailties of our times through my personal experience.” The resulting photos are at once humorous and haunting.
Many think that the wildly contorted bodies in Sandro’s photos are dolls or dummies. Not so, says Sandro. “I work exclusively with professional actors who are able to position themselves in anatomically impossible poses because they are trained to use their bodies to communicate.”
instagram:


The Whimsically Macabre Scenes of @__remmidemmi
To see more of Sandro’s explorations of “bodies with no regret,” follow @__remmidemmi on Instagram.
In his macabre, tragicomic photo series, Italian photographer Sandro Giordoan (@__remmidemmi) explores the willingness of people to put the safety of material objects before their own well-being.
When conceiving the project, _IN EXTREMIS (bodies with no regret), Sandro drew from personal experience. “Last summer I had a small but tough bicycle accident,” he explains. “I lost 30% of my right hand’s functions because I never let go of the object I was holding as I fell.”
When, shortly after, a friend broke his leg to prevent his smartphone from falling in water, Sandro became concerned. “We live in a time where we risk material things becoming more important than our own lives, and this is really worrying.”
Sandro channeled his concern into crafting meticulous and whimsical photos. “I immediately felt the urgency to capture the moment of impact. I wanted to talk about obsessions, neurosis and frailties of our times through my personal experience.” The resulting photos are at once humorous and haunting.
Many think that the wildly contorted bodies in Sandro’s photos are dolls or dummies. Not so, says Sandro. “I work exclusively with professional actors who are able to position themselves in anatomically impossible poses because they are trained to use their bodies to communicate.”
instagram:


The Whimsically Macabre Scenes of @__remmidemmi
To see more of Sandro’s explorations of “bodies with no regret,” follow @__remmidemmi on Instagram.
In his macabre, tragicomic photo series, Italian photographer Sandro Giordoan (@__remmidemmi) explores the willingness of people to put the safety of material objects before their own well-being.
When conceiving the project, _IN EXTREMIS (bodies with no regret), Sandro drew from personal experience. “Last summer I had a small but tough bicycle accident,” he explains. “I lost 30% of my right hand’s functions because I never let go of the object I was holding as I fell.”
When, shortly after, a friend broke his leg to prevent his smartphone from falling in water, Sandro became concerned. “We live in a time where we risk material things becoming more important than our own lives, and this is really worrying.”
Sandro channeled his concern into crafting meticulous and whimsical photos. “I immediately felt the urgency to capture the moment of impact. I wanted to talk about obsessions, neurosis and frailties of our times through my personal experience.” The resulting photos are at once humorous and haunting.
Many think that the wildly contorted bodies in Sandro’s photos are dolls or dummies. Not so, says Sandro. “I work exclusively with professional actors who are able to position themselves in anatomically impossible poses because they are trained to use their bodies to communicate.”
instagram:


The Whimsically Macabre Scenes of @__remmidemmi
To see more of Sandro’s explorations of “bodies with no regret,” follow @__remmidemmi on Instagram.
In his macabre, tragicomic photo series, Italian photographer Sandro Giordoan (@__remmidemmi) explores the willingness of people to put the safety of material objects before their own well-being.
When conceiving the project, _IN EXTREMIS (bodies with no regret), Sandro drew from personal experience. “Last summer I had a small but tough bicycle accident,” he explains. “I lost 30% of my right hand’s functions because I never let go of the object I was holding as I fell.”
When, shortly after, a friend broke his leg to prevent his smartphone from falling in water, Sandro became concerned. “We live in a time where we risk material things becoming more important than our own lives, and this is really worrying.”
Sandro channeled his concern into crafting meticulous and whimsical photos. “I immediately felt the urgency to capture the moment of impact. I wanted to talk about obsessions, neurosis and frailties of our times through my personal experience.” The resulting photos are at once humorous and haunting.
Many think that the wildly contorted bodies in Sandro’s photos are dolls or dummies. Not so, says Sandro. “I work exclusively with professional actors who are able to position themselves in anatomically impossible poses because they are trained to use their bodies to communicate.”
instagram:


The Whimsically Macabre Scenes of @__remmidemmi
To see more of Sandro’s explorations of “bodies with no regret,” follow @__remmidemmi on Instagram.
In his macabre, tragicomic photo series, Italian photographer Sandro Giordoan (@__remmidemmi) explores the willingness of people to put the safety of material objects before their own well-being.
When conceiving the project, _IN EXTREMIS (bodies with no regret), Sandro drew from personal experience. “Last summer I had a small but tough bicycle accident,” he explains. “I lost 30% of my right hand’s functions because I never let go of the object I was holding as I fell.”
When, shortly after, a friend broke his leg to prevent his smartphone from falling in water, Sandro became concerned. “We live in a time where we risk material things becoming more important than our own lives, and this is really worrying.”
Sandro channeled his concern into crafting meticulous and whimsical photos. “I immediately felt the urgency to capture the moment of impact. I wanted to talk about obsessions, neurosis and frailties of our times through my personal experience.” The resulting photos are at once humorous and haunting.
Many think that the wildly contorted bodies in Sandro’s photos are dolls or dummies. Not so, says Sandro. “I work exclusively with professional actors who are able to position themselves in anatomically impossible poses because they are trained to use their bodies to communicate.”
instagram:


The Whimsically Macabre Scenes of @__remmidemmi
To see more of Sandro’s explorations of “bodies with no regret,” follow @__remmidemmi on Instagram.
In his macabre, tragicomic photo series, Italian photographer Sandro Giordoan (@__remmidemmi) explores the willingness of people to put the safety of material objects before their own well-being.
When conceiving the project, _IN EXTREMIS (bodies with no regret), Sandro drew from personal experience. “Last summer I had a small but tough bicycle accident,” he explains. “I lost 30% of my right hand’s functions because I never let go of the object I was holding as I fell.”
When, shortly after, a friend broke his leg to prevent his smartphone from falling in water, Sandro became concerned. “We live in a time where we risk material things becoming more important than our own lives, and this is really worrying.”
Sandro channeled his concern into crafting meticulous and whimsical photos. “I immediately felt the urgency to capture the moment of impact. I wanted to talk about obsessions, neurosis and frailties of our times through my personal experience.” The resulting photos are at once humorous and haunting.
Many think that the wildly contorted bodies in Sandro’s photos are dolls or dummies. Not so, says Sandro. “I work exclusively with professional actors who are able to position themselves in anatomically impossible poses because they are trained to use their bodies to communicate.”
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nevver:

Possible worlds, Gareth Halliday

cheer up
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nevver:

Gimme shelter, Jonathan Andrew
nevver:

Gimme shelter, Jonathan Andrew
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Gimme shelter, Jonathan Andrew
nevver:

Gimme shelter, Jonathan Andrew
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nevver:

Found in Translation
nevver:

Found in Translation
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Found in Translation
nevver:

Found in Translation
nevver:

Found in Translation
nevver:

Found in Translation
nevver:

Found in Translation
nevver:

Found in Translation
nevver:

Found in Translation
nevver:

Found in Translation
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nevver:

Iceland, Andy Lee
nevver:

Iceland, Andy Lee
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Iceland, Andy Lee
nevver:

Iceland, Andy Lee
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Atmosphere
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Roar or yawn
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"The wise man, by vigor, mindfulness, restraint, and self-control, creates for himself an island which no flood can submerge."
Thích Nhất Hạnh (via surya-bhakti)
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supersonicart:


Mark Ryden.
Some holiday themed artwork from Mark Ryden.
supersonicart:


Mark Ryden.
Some holiday themed artwork from Mark Ryden.
supersonicart:


Mark Ryden.
Some holiday themed artwork from Mark Ryden.
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palahniukandchocolate:

e4rthy: Wolf Full Moon and the Parthenon by Anthony Ayiomamitis
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automotivated:

2002 (by Marcus Lundell)